The blue mountains · left panel

First third of “the blue mountains”: layered ridges in the mist. Works on its own, pairs with the other two.

Size

Frame & finish

Real black wood + plexiglass, textured matte Fine Art paper.

Designed in France, printed in Europe, delivered ready to hang.
No photo needed: the artwork already exists.
Complimentary engraved text, placed wherever you like.

The blue mountains · left panel, in detail

Layered ridges follow one another to the horizon in a gradient of lavender and powder blue, from darkest at the bottom to palest at the top. No foreground: only successive planes.

Where to hang it

A bedroom, a living room, a study. On its own, this panel is the most abstract image of the series: layers of colour rather than a landscape.

What it goes with

Lavender, blue-grey, white, limed wood. It opens the softest of the seven triptychs.

Which size to choose

A wall about 1.50 m wide for all three, spaced 10 to 12 cm apart. This series copes better than others with slightly wider spacing (up to 15 cm): the planes carry on even at a distance.

Questions about this artwork

A very pale lavender, almost grey, due to the high-altitude mist at daybreak. It is not colourisation: it is the natural light of the blue hour in the mountains.

It is the best suited of the seven. No harsh contrast, no movement, a cool and soft palette: the mountain triptych is made to be seen from a bed.

White or very light oak extends the softness; black creates a sharp contrast that suits a study better than a bedroom.